I consider my work to be about bioenergetic anatomy, cycle modeling, narrative navigation, spirit dialogue, metaphysical design, influence tuning, spatial conditioning, and sublunar embodiment. I'm deeply impressed by subculture, light, darkness, initiation, paradox, terrestrial existence, and living amongst animals.  I see fate as a dynamic river system that can be felt, engaged and negotiated with.
 
Drawing on archaic astrology, archaeoastronomy, Classical Chinese medicine, Taoist metaphysics, pre-taoist shamanism, Greco-Egyptian magic, pre-bronze age funerary practices, late European grimoires, syncretized New World traditions, medieval stellar magic, indigenous wayfinding, primitive navigation, the Mediterranean mystery schools and the mythologies of phenomenological celestial cycles this approach to dialoguing with where, what and who is holding, modulating and passing Qi at any given time has been the result of many years of ongoing research and development.  The process is one of decalcifying the ways which humans have retained best being in alignment with nature and reality preserved in texts, archeologically peeling back the layers of concepts so as to separate egregore from phenomenon and return to a coherence in which we can read the pulse of reality and situate ourselves within it.


I was raised in a household where card reading, charm making, astrology, and spirit encounters were mundane activity, being lucky enough to observe my grandmother with her clients everyday.

I reside in rural Maine in a 200 year old timberframe, dividing my time between the land and sea in attention to phenomenon of the bioenergetic anatomy of the world; busy working with clients, writing forecasts, sailing, and roaming with dogs.